They start everything loud and then pull out where needed. I’ve worked with someone who does just the opposite. While I do set all my channels at unity as part of my gain-setting process, I’ll cut them back a little before I start. The method I use in initial volume balancing is starting my channel volumes on the low side and then boosting where needed.
#Finale 26.0.1 get all instruments the same volume how to
How to Set Gain Levels in Live Sound – Three Methods.Check out this article for more on gain setting: When you do start, the channel gain should be set and all the volumes will likely be at the same level. For example, if the pastor requests the drums be kept low in the mix, you’ll need to do your best to accomplish that. Take into account those expectations before starting. You’re only looking at building the initial volume mix at this point. Volume balancing is not the same for each church, each genre of music, or even each song. (After writing that article, a reader commented that the term wall of sound was originally a good thing, as it was music producer Phil Spector’s methods of filling out mixes so that the music didn’t sound hollow or weak.) Overall Volume Balancingįirst, the bad news. To learn more about the wall of sound, check out: What is driving the song? Everything and yet nothing. What you don’t want to do is create a wall of sound where all channels are at the same level. This way, you can have your notes ready so you know the volume adjustments expected for each song – and because the arrangement the worship leader created may vary from what you’ve heard. Tip: Ask the worship leader which instruments lead each song. If you use a music-streaming service, like Spotify, this is easy. Find the original recordings by those artists and listen to those versions. Listen to how effects are used, how sounds blend or contrast with other sounds, and where they sit in the mix – how they are balanced with the other instruments.įor example, let’s say your band is going to play a Chris Tomlin song and a Paul Baloche song. Once the song is over, listen to a different instrument or singer. Listen to a well-produced song by an award-winning producer and listen to only one instrument for the whole song. The best mixing lesson I ever learned was this learn from the masters. As you move to other songs, any volume balance changes will likely be subtle, probably focusing on a changing lead instrument or lead vocal, but it all depends on the song arrangement. You might be able to do both during the first song, depending on how quickly and accurately you get through the first step. Once you’ve got those down, then address the second part, the sounds that lead the song. Address the proper channel volume levels in the song.ĭuring the first song of the sound check, the focus is on the overall volume levels.The idea of volume balancing is two-fold In short, the first part of mixing the band is putting everyone in their right spot. Instead, the next step should be to balance the instrument and vocal volumes so every musician is heard in the right relationship to the others. It’s the perfect time to reach for an EQ control. The band is on stage and the gain levels are set.
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